September 15, 2011

Glenn Jones - The Wanting



I love it when an artist dares to open their release with a cut that probably isn’t the first choice of the marketing department.  Not that we of the guitar soli are exactly worried about that or even have a marketing department.  Glenn Jones opens his new release with “A Snapshot of Mom, Scotland, 1957.”  And it’s all we’ve come to expect of Jones and his eclectic tunings and complex compositions.  Complex, beautiful and perfect for opening this release.
You might wonder what you are in for in the first minute of “The Great Pacific Northwest” but it turns out to be one of the most traditional American Primitive songs on the effort.  Now here it might be interesting to discuss the fact that I am differentiating traditional AP from…well, what?  From what Glenn Jones has done with the style to make it his own.  But back to the song, it has a very comfortable, familiar feel to the melody.  It just grabs me and pulls me in.
Now let’s talk about the banjo tunes.  My first impulse is to compare them to the last release, BBQ Bob and see what kind of direction Jones seems to be navigating.  It is kind of cool that he is exploring this instrument and letting us steal a look at the process as he works through an instrument that he admits he doesn’t play in any of the traditional styles.  Hmmm, sounds like the root of American Primitive to me!  Self taught.  So…the compositions seem to be in the same vein on both efforts but the main thing I notice is the technique is smoother, more subtlety applied here and there.  I think what stands out most about these pieces is the simplicity.  Jones has stated that he does not approach the instrument from a traditional angle, but what I think is readily apparent is that he also isn’t composing on the level of sophistication that approaches that of his guitar compositions.  These aren’t mysterious tunes.  They’re attractive in a plain and simple way, like that freckled girl with the dirty blonde hair.  If you are enjoying the banjo tunes, be sure to pick up the MP3 of “Even to Win is to Fail,” the double A-side release with the Black Twig Pickers.  There are a couple duplicate titles (alternate takes, though) with this release but it’s not the banjo tunes.
You might find this an odd tangent but I love the song titles on this release.  Sometimes guys just try too hard at the title thing but these are really working for me.
Only one slide piece for this release and it’s a beauty.  Twice as long as the split release track.  This is the slide piece by Jones that I’ve always wanted, I just didn’t know it.  “Even to Win is to Fail” speaks to me.  Yes, yes it does.
“Of Its Own Kind” has that same great classic AP feel.  Is it weird that I find the rattling of the low strings a beautiful thing?  It just sounds so thoroughly in the moment.  And that can’t be dismissed these days as the small but talented field of guitarists composing pieces for solo guitar continues to expand it’s difficult to set yourself apart.  Jones does a fine job in continuing to lead the way.
Hey, here’s a video of the song, let’s watch it!
I defy you to watch this video and not run to your guitar and start playing!  Can’t be done.

Glenn Jones - Of Its Own Kind from Thrill Jockey Records on Vimeo.



Glenn Jones Tour Dates:
Sep 24   Philadelphia, PA         Johnny Brenda's w/Meg Baird
Sep 25   New York, NY     West Park Presbyterian Church
Oct 14   Boston, MA       The Fourth Wall Project
Oct 16   Chicago, IL      The Hideout
Oct 17   Iowa City, IA    The Mill
Oct 18   Dubuque, IA      Monk's
Oct 19   Bloomington, IN Russian Recording
Oct 20   Lexington, KY    Collexion
Oct 21   Louisville, KY   TBA
Oct 22   Knoxville, TN    TBA
Oct 23   Asheville, NC    Harvest Records
Oct 24   West Columbia, SC        Conundrum Music Hall
Oct 25   Atlanta, GA      TBA
Oct 26   Atlanta, GA      TBA
Oct 27   Chapel Hill, NC The Nightlight
Oct 28   Charlottesville, VA      TBA
Oct 29   Washington, DC   TBA
Oct 30   Baltimore, MD    TBA
Nov 1    Brooklyn, NY     Zebulon
Nov 3    Easthampton, MA Flywheel
Nov 5    State College, PA        Schlow Centre Region Library

Call me crazy but I think you might want to look at buying this here record.  RECORD?  Why yes, there actually IS a piece of vinyl for your platter.  Get it at Thrill Jockey

Want to give the whole thing a preview?  Don't trust me, eh?  Go on, you can stream it at Thrill Jockey.

September 11, 2011

September 11th...1945

Leo Kottke was born.  Just thought I would celebrate something good happening on this day in history.



First cut from the 6 & 12 String Guitar.

September 7, 2011

John Fahey - The Transcendental Waterfall (180 Gram Vinyl)



4 Men With Beards plans release of a 6-LP set. The Transcendental Waterfall - Guitar Excursions 1959-1967 is a 6-LP box set drawing from John Fahey's best, and most influential, period.

Thanks to Andreas from the Fahey forum for the heads up!

 

Glenn Jones & Yair Yona on WFMU


Click the link to listen to the show:  Playlist for Irene Trudel - September 5, 2011


Live performance and conversation with Glenn Jones and Yair Yona

For his latest album, "The Wanting," guitarist Glenn Jones recorded in a fourth floor apartment on Commonwealth Avenue, Allston, Massachusetts, a suburb of Boston, overlooking the commuter train line. If you listen carefully to the record, you can occasionally hear trains going by in the background. In addition to playing with the band Cul de Sac, this solo disc is Jones' first album for Thrill Jockey, overflowing with nods to the "American Primitive" guitar style popularized by John Fahey. Glenn is joined by Israeli-born fingerstyle guitarist Yair Yona. Starting out as a bassist, Yona played stints in several London bands including Human Beings, then discovered the music of Bert Jansch and followed that musical path. Yair has one album out, "Remember," recently reissued on Strange Attractors and puts out a fine musical blog called "Small Town Romance." Yair Yona was in the NYC area for a rare visit over the Labor Day weekend, and Irene recorded a live set and a lively conversation with the two of them.


August 30, 2011

Banjo Bug : A Collaborative Compendium of Electrically Recorded Music and Sound Collage Improvisations


Hey folks!  I've just been given the green light on sharing this with y'all.  Andrew Stranglen, Charlie Schmidt and Mike Luckett get twangy and clangy on this effort and I highly recommend you check it out!  Oh, and there's more to it than banjos, whew!

Between the interval of the death of John Fahey and the tragic events of September 11th 2001, this rustic and highly limited edition Album was completed by me on September 9th of that year. With the help of longtime friend Michael Luckett, and separately with then new friend Charlie Schmidt, we plunged the depths of faheyana with guitars, Banjos, Tiples, and Electrified guitar. With Charlie, we were inside the Edgebrook Episcopal Church (Chicago), complete with a dusty wooden model of a seagoing ship hanging near the apex of the ceiling between nave and chancel. With Michael, we were in a 10 x 12 Screen hut set well away from the house and road, surrounded by deep mature woods, Oak and Hard Maple, in the midst of Crickets, Katydids and all manner of banjoey bugs, while distant trains punctuated the night with lonesome diesel throb.
It is my wish that y'all enjoy the Banjo Bug as much as I still do! -Andrew Stranglen

Download it HERE - all art included
    

July 25, 2011

Robbie Basho Was an Angel

Interesting article about Basho on Elephant Journal.  Quotes from Glenn Jones, Will Ackerman and Rich Osborn.

Read it here.


June 23, 2011

Michael Chapman - Live In-Studio On KEXP

Michael Chapman
2011-06-22
Live In-Studio On KEXP
"In The Roadhouse With Greg Vandy"
Seattle, WA

Links:
Michael Chapman
Be sure to check out the guitar tab on his site!!

Setlist:

01 [intro]
02 So Young
03 [tuning - song intro]
04 Fahey's Flag
05 [interview with Greg Vandy]
06 The Twisted Road
07 [interview 2]
08 Sometimes
09 [outro]

Download the show HERE

 

June 20, 2011

Dust-to-Digital : John Fahey: Your Past Comes Back to Haunt You

Dust-to-Digital : John Fahey: Your Past Comes Back to Haunt You: "John Fahey: Your Past Comes Back to Haunt You (The Fonotone Years 1958-1965)

Official release information from Dust-to-Digital.  Click on the link for more.


Catalog Number, Release Date and Contents

DTD-21 : Late September / Early October 2011
Edited by Glenn Jones
88 page book with 5 CDs
115 tracks, most available on CD for the first time
A co-production between Dust-to-Digital and Revenant



   

June 6, 2011

Learn Mixing Tips for Vinyl

Vinyl records are very much in vogue again, as much for their sonic quality as for their collectability. To get the best sounding results when pressing a record, you need to consider the physical limitations of the medium before you mix. Here are some tips for maximizing the sound of your record, the first time around. when pressing vinyl, you’ll trade off program length versus audio quality, so begin by determining how much music you want on each side of your record. An LP typically holds less than 30 minutes of music, and the width and spacing of the grooves plays an important role in the sound quality of a vinyl record.  Continue at Electronic Musician