February 18, 2023
John Fahey October 31, 1979 Great American Music Hall San Francisco, CA
Robbie Basho April 8, 1967 Reed College, Portland, Oregon
Robbie Basho
April 8, 1967
Reed College, Portland, Oregon
Lineage: SBD -> Master reel > cassette (1985, mono)
Transfer (2019 by grner1 & zuma11): Cassette > Nakamichi Dragon > Protools 12 (at 24bit/48kHz), tracking & trimming (no EQ or compression) > 16/44.1 > xACT 2.48 > flac
Length: 45:43
1. Medicine Raga
2. Lost Lagoon Suite
3. Song 3
4. Song 4 (cut)
John Fahey April 8, 1967 Reed College, Portland, Oregon
Gwenifer Raymond Janice Long Show BBC Radio Wales
Gwenifer Raymond
Janice Long Show
BBC Radio Wales
Cardiff
Wales
22nd December 2020
Adam Walton sitting in as presenter.
https://www.bbc.co.uk/programmes/m000qk2r
BBC iPlayer archive stream > get_iplayer > .ts (aac, 320kbps/48k) > ffmpeg (trimming)
interview
Hell For Certain
interview
Eulogy For Dead French Composer
interview
Gwaed Am Gwaed
Running time [45:29]
Adam Walton has music from Gwenifer Raymond in session.
https://gweniferraymond.bandcamp.com/
PETER LANG 1975-12-13 Cary, IL at Harry Hope’s (Fragment)
October 15, 2021
Desert Rat Blues (Ragtime Ralph cover) by rhabarberkompott
July 14, 2020
John Fahey - Boon's Treasury, Salem OR January 10th, 1982
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| Credit unknown. Thanks to Duane for finding this gem. |
Tracklist:
A01 On The Sunny Side Of The Ocean
Spanish-Two-Step
Spanish Flang Dang
Spanish-Two-Step
A02 Lion
How Long
Lion
A03 Steamboat Gwine 'Round De Bend
A04 How Green Was My Valley
A05 Steve Talbot On The Keddie Wye
A06 The Approaching Of The Disco Void
A07 Cigarette Break
A08 Christmas Fantasy Part 1
The Lonely Goucho
Oh Come, Oh Come Emmanuel
Guitar Lamento>
B01 >Melody McBad
B02 The Grand Finale
Total time: 69:21"
July 12, 2020
John Fahey - Boon's Treasury Tavern Salem OR November 11th, 1993
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| Tom Russell |
01 Soundcheck: Open D Themes
02 Fahey speaks
03 Marilyn (aborted)/Tuning
04 Marilyn
Mood Indigo
Diane Kelly Themes
O’Holy Night
My Prayer
05 Tuning
06 Steamboat Gwine ‘Round De Bend
07 Enigmas And Perplexities Of The Norfolk And Western
Come On In My Kitchen
08 Tuning/Banter
09 Red Rocking Chair
Disc Two (Set Two):
01 Tuning/Banter
02 View
Rain Forest
03 The Sea Of Love
Tuning/Banter
04 Blueberry Hill
05 The Great Pretender
In The Still Of The Night
06 Tuning
07 Afternoon Espee Through Salem
Po’ Boy
Steel Guitar Rag
08 Tuning/Banter
09 Tuff
Come And Go With Me
Come Softly To Me
Special Rider Blues
10 Maggie Campbell Blues
11 Tuning/Banter
12 Claire
13 Dorothy
d/l here
July 11, 2020
John Fahey Palace Theater, Silverton, OR. 1987-07-02
1987-07-02
Palace Theater, Silverton, OR.
01 - Sunny Side of the Ocean / Spanish Two Step / Spanish Fandango / Spanish Two Step (again) ( 11:12 )
02-Evening Mysteries of Ferry Street ( 02:57 )
03-Are You From Dixie? ( 02:37 )
04-Slide Medley ( 03:09 )
05-Deep River/Old Man River ( 05:16 )
06-You'll Find Her Name Written There ( 06:06 )
07-Nightmare/Summertime ( 04:47 )
08 - Poor Boy Long Ways From Home ( 05:10 )
09-Away in a Manger/Jesus Won't You Come by Here/Go Tell It on the Mountain ( 05:01 )
10 - Poor Boy (the OTHER Poor Boy!) / Steel Guitar Rag ( 06:32 )
total time approx 53 minutes.
MP3 only, flac file is mia
d/l here
John Fahey - The Matrix, San Francisco 1969
John Fahey
The Matrix
San Francisco, California
United States of America
11 February 1969
John Fahey - acoustic guitar
01. Bicycle Built For Two 1:06
02. Stomping Tonight on the Pennsylvania Alabama Border 5:34
03. Some Summer Day 5:39
04. The Yellow Princess 12:58
Total Time: 25:19
April 15, 2020
March 17, 2020
Glenn Jones House Concert
The Glenn Jones House Concert was recorded September 2006 in or around Seattle.I consider Glenn to be one of the torch bearers for the great guitar playing style of John Fahey. Despite what the AllMusic review of his first studio release, I believe he does break new ground. The tunings and capo use is inventive and results in sounds that while true to Fahey, are more modern sounding and mature. American Primitive all grown up? Perhaps.
Probably the other factor is that Jones plays music that is very moody, not like that bad girlfriend you once had, but music that creates an aura. The guitar in Jones' hands is a storyteller. Too many instrumental guitarists fail to move me, not because they lack technique, but because they rely on it. Glenn has both technique and a story telling ability. Fahey was, at times, short on technique, but it didn't matter, he got the message across. Glenn likes to use dissonance to create the story he is telling and I think he has really taken it to another level. Fahey's Dance of Death was amazing, but I don't think he ever topped it or matched it and it was rather early in his long career. Jones is also fond of playing the 12 string. Gotta love the 12 string.
Give it a listen and please drop a comment.
Track listing
1. Intro (Greetings)
2. Freedom Raga
3. Intro (Talking)
4. The Teething Necklace
5. Intro (Talking)
6. Against My Ruin
7. Intro (Talking)
8. The Doll Hospital
9. Intro (Talking)
10.David And The Phoenix
11.Intro (Talking)
12.Sphinx Unto Curious Men
13.Outro
Artist website
Get it HERE
December 6, 2019
August 17, 2019
Isasa - US East Coast Tour
US East Coast Tour Artwork: @abelcuevas
8/16 Boston, MA @ House Show
8/17 Turner Falls, MA @ Peskeomskut Park
8/18 New Haven, CT @ Never Ending Books
8/19 Brooklyn, NY @ Synesthesia
8/20 Philadelphia, PA @ The Random Tea Room 8/21 Washington, DC @ Rhizome
8/22 Baltimore, MD @ Club 603
8/23 Staunton, VA @ Black Swan Books & Music 8/24 Blackburg, VA @ Oddfellow’s Lodge
8/25 Columbus, OH @ Bourbon Street
8/26 Lousville, KY @ Chapel of St. Phillip Neri
8/27 Nashville, TN @ Proper Saké Co.
8/28 Birmingham, AL @ House Show
8/29 Athens GA @ Flicker Theatre
8/30 Asheville, NC @ Static-Age Records
8/31 Durham, NC @ House Show
bandcamp
August 1, 2019
John Fahey - UNISSUED STUDIO SESSIONS 1977
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| Heinrich Kley |
The origins of the “77 session” tapes are shrouded in mystery. That they were professionally recorded studio tapes is no longer in doubt – as was born out when Shanachie Records issued “God, Time & Causality” in the 1990s. Aural comparison of certain tracks from the ’77 sessions confirms that they derive from the same masters. They can’t have originated with Shanachie, which did not exist as a record company in 1977. We speculate that the tapes were actually made in the Yazoo studio in New York by the late Nick Perls. Perls, owner of Yazoo, was known to have recorded (in 1972) Fahey and also possessed unissued tapes of other artists such as Woody Mann and Ari Eisinger. Shanachie took over the Yazoo catalogue in 1989 – so it’s entirely possible they may have received unissued master tapes. An alternative theory is that they were demo tapes for the Takoma “Visits Washington D.C.” album which came out in 1979. Some of the themes (notably “Melody Brennan”) were reprised on that album.
This dub of the tapes came to me via one Jürgen Kleine, a Fahey fan and early collector in Germany. I began corresponding with Jürgen sometime in the early 1970s after answering a small ad he placed in “Guitar” magazine seeking contact with other Fahey fans. Jürgen’s importance to what Fahey described as his “spy network” can’t be under-estimated. He became the fount, the conduit through which tablature, bootleg cassette tapes, photocopies of magazine articles – anything Fahey-related – was disseminated to the (at that time) smallish circle of Fahey fans. The network included Glenn Jones, Ragtime Ralph and maybe a dozen or so others. Jürgen’s 1984 letter enclosing the cassettes states that he had full permission from Fahey to copy for distribution. But he does not say where he got the tapes from. He may have gotten from Fahey himself, as with some of the material he sent me. Perhaps Glenn Jones? Who knows?
Anyway, it’s my opinion for what it’s worth that the tapes represent Fahey at the top of his game and are some of the most interesting of the unreleased bootlegs.
D/L it HERE
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Below is the post from johnfahey.com for these unreleased tapes. The pieces that match the God Time & Causality have been omitted.
Sandy on Earth
Originally titled "The Nut House". Rerecorded (or not) for "God Time & Causality" 12 years later. By which I mean that on the unreleased version we have these little occasional electronic effects, reverb and echo and such, which really add a tinge of excitement. Not that the unvarnished "Let It Be" version isn't a major classic.
Bossa Nova Song 1 & 2
Elder-Z-Travels
Parts of this recycled into "Melody McBad"
Melody Brennan
Hare Krishna Song 1 & 2
The main theme of this drop-dead brilliant 18 minute piece was used in "Charlie Becker's Meditation" on "Railroad". We tried at various times to get Fahey to a) remember this piece, and b) having remembered it, get it released. As you will realise, to no avail.
Melody McBad/Portland Cement Factory/Funeral Song for John Hurt
Rerecorded (or not) for "God Time & Causality" 12 years later.
Unknown Song Takes 1 & 2
Unknown Bossa Nova
Unknown Song/Nut House
Lover Come Back to Me
Lover Come Back to Me/I'll See You in my Dreams
Unknown Song
Rubber Dolly
The Nut House (part)
June 4, 2019
Adobe Books Sunday Night Series featuring Angel Archer, Alexander & Jakob Battick
Adobe Books Sunday Night Series featuring Angel Archer, Alexander & Jakob Battick March 31, 2019 Adobe Books, San Francisco, CA
Jakob Battick
Alexander
Angel Archer
D/L HERE
June 2, 2019
February 25, 2019
John Fahey live at the Hunter College Assembly Hall New York on May 31st, 1975
From a Memorex MRX3 Oxide cassette received in trade years ago, unknown generation.
There are cuts between the songs, second side of the cassette is blank.
So unfortunately, this is far from complete, but all I have from this show.
Quote from a review by Paul Nelson in "The Village Voice":
"Without a word, he picked up his guitar and played the first song.
It lasted 45 minutes and was quite remarkable, as was the rest of his three-hour concert"
Taken from:
Claudio Guerrieri "The John Fahey Handbook" Vol. 2 ISBN 978-0-9853028-1-8
01 Section From Christ's Saints Of God Fantasy
Stomping Tonight On The Pennsylvania-Alabama Border
Section From Christ's Saints Of God Fantasy
02 In Christ There Is No East Or West
03 Beverly
04 On The Sunny Side Of The Ocean
05 Spanish Two-Step
06 Lion
How Long
Lion
07 The Revolt Of The Dyke Brigade
08 Funeral Song For Mississippi John Hurt
08 Wine And Roses
Total time: 44:03"
d/l
In his book, Dance of Death: The Life of John Fahey, American Guitarist, author Steve Lowenthal cites a review of John Fahey’s performance at Hunter College in New York by the Village Voice’s Paul Nelson in 1975:
“His guitar-playing is a deliberate mixture of psychology, order, mythology, poetry, and genre–all very exact, with the meaning entirely between the lines. Part of our fine national school of minimal acting, glints of feeling shining through the stoic, awesome professionalism that is characteristic of the American hero, John Fahey seems to me to be the Clint Eastwood/Steve McQueen of the guitar. I’d hate to meet him in a dark alley. He didn’t even say goodbye.”
February 24, 2019
Audience Recording of Fahey at the Memphis Blues Festival of 1969
It's Fahey Week and this year is all about re-upping all the previous posts lost to the divShare crash. Everything is now on Dropbox, hopefully the free account can handle the traffic. (2019 edit, nope, lost that too!!) So this is a re-re-up?!?!?
Here's a little gem sent to me this week. A live recording from a hand-held recorder by someone in the audience at the Memphis Blues Festival, June 6-7th, 1969. See page 396 of The John Fahey Handbook, volume 2 for details. Fahey was included in a two hour PBS program "The Memphis Birthday Blues Festival" hosted by Steve Allen, aired on June 29th, 1969. Does anyone have this video that they would share?
d/l










